Art in Use



A small exhibition at the UDK to show work in progress from the Graduate School. You can see the automatic fish feeder, an explanatory animation of the whole installation, Berlin Farm Lab and the miniponics.

Lecture with title: Mechanisms (on) Experience: the Berlin Farm Lab experiment @University of Thessally Department of Architecture.

Invitation to an open studio day with all the fellows from the Graduate school including myself. 14/12, 17:00 Hardenbergstrasse 33,Univesrity of Arts, Berlin, room 101
// This is an interactive representation of the project, you can zoom and drag or pan your way around it.//
The project “Greenwasher, active sustainable chamber” is a research on a DIY contemporary lifestyle. The first part is a manual of “how to make yourself” a complete system to produce at home all goods for contemporary living, such as electricity, biogas, food and biodiesel while collecting heat from the sun and rainwater. The following characteristics make the system the perfect solution for global sustainability: low-budget for broad application, local production and reuse of materials and therefore less energy required in the process, biologic food production and green energy production. The second part is an application of the manual in a one person’s habitat. The aim is to minimize use of natural resources and co2 emissions during the building and living process. The idea for creating the manual began with the collection of systems aimed at an ecologically bearable conscious contemporary lifestyle. Next step was the restriction of the system to “do it yourself” version. For this reason we studied «how to» and «Do It yourself» youtube videos and websites that offer such expertise to ease of manufacture and low cost. Adaptations were made in the way of building the systems with emphasis on the implementation of used items. Changes or adjustments of the use of objects are possible. Finally, we combined all segments in a single system in a “nothing is wasted” concept. Special feature is the excessive economy. In other case would be characterized meanness. With neurotic patience, the user utilizes the water through a hierarchy system of value, until that evaporates. Moreover, by simple chemical processes, produces useful goods from useless garbage, while producing no waste, since he re-uses everything. One could describe the model as a concentrated version of the complexity of gathering the goods of modern life. As regard the aesthetic issue, we can talk about a new species of architecture that is free of the question about form; the appearance is simply what derives from the collection and assemblage of existing systems and elements. The project seems to be the perfect sustainable solution on building and living. However, the personal motivation, time and effort required, opens the discussion about changes that could be done in the society, political and economic system to make this lifestyle possible for everyone. (more…)










Real time and representation time
The initial intention of the research was the creation of an archive/ catalog about fire. Archives are evolvable and can possibly refresh themselves persistently. Thus, the archive´s concept can possibly be redefined.
This should have happened, in a manner of speaking, simultaneously with some representation of the same process, the one we call file-lodgment. The lodgment’s order is not the same with the chronic order that the files had emerged at the time of investigation. Besides, representation does not happen in autonomic real time, but invokes observer’s time. Thus, the distortion of the chronic relations facilitates some kind of “distortion” of the accuracy of the file lodgment procedure. In addition, this is not that important. What is important is the transmission of some, not-that-clear yet, sensation that fire and architecture are related to each other. Finally, the selection and lodgment of the “fire fragments” request to reveal some abstract relation to architecture.




Production of the catalog for the show Weak Monuments, a “Buit Event” by Aristide Antonas, Alexios Dallas andFilippos Oreopoulos, for the biennale of Thessaloniki 2009. Read and see more from Aristide Antonas.


TRANSFRAMING workshop, an introducion to rhino and digital manufacturing, with Asterios Agathidis and Sophia Vyzoviti.

Data visualization graphics for the statistics of designing absence using NODEBOX 2. Each country is represented with a “planet”. The density of each “planet” is generated by popularity.

“Connected moulds” is a habitation concept.
There is a clear split of the three main functions of a house (sleeping, eating and bathing) into levels. Each function has its own level. There is one nested small space and a ramp as an introduction to the house. Using curves as design tool and softness as a material choice aiming to achieve comfort, someone is able to sit down, lay or sleep everywhere. There is luck of privacy. This house is an open, common space for its users. There is only an extra option for the perpendicular shape in the last level to become private using sliding closing panels, just in cases that someone really needs some hours of privacy.Each function is a closed shape. This shape has been extruded in order to become three-dimensional space. Between these moulds that came up there is a vertical connection so the three different moulds are assembled in one system and the one space flows inside the other.
This is a very nice piece from my friend Ayumi Matzusaka. The video is ready and I am happy to post it in my blog.
“Brief overview of year-long body-based art performance. Together with several farm animals, Ayumi Matsuzaka experiences the natural food cycle from ingestion through digestion, fertilization and regrowth; the project completes the cycle with both Ayumi and the animals eating vegetables grown using their own bodily wastes.
Berlin and environs, 2010-2011.
ayumi-matsuzaka.com
Camera & editing: Goesta Struve-Dencher
Music: Nedret Akcaoglu (oriental-records.com)”

Last time I ‘ve been in Greece I got this book as a present from Phoebe Giannisi, professor of mine at the UTH school of architecture and curator of the exhibition “the Ark” for the 12th Venice Biennale together with Zisis Kotionis. The book is the exhibition’s catalog with contributions from y 25 both Greek and non-Greek writers, architects, botanists, farmer-activists, theoreticians related the issue of ecology and urban agriculture, questioning the current trend of sustainability, farming and food from all sides possible, positive and negative. The exhibition – a wooden ark- seed bank and kitchen- was dealing with the issue of the lost seed varieties; the current trials to retrieve and save them and the importance of these actions not in a quantitave but in a symbolic level. I really love the introduction written from the curators and I will post here a small piece, taken from the website where I suggest you to read the manifest:
“8.HEDONISM The diversity of species and of their uses is important as are the ways and means of cultivation, in the reintroduction to the hedonistic approach to life (Epicure) through different parameters of time and of quality. For a large part of the human population, especially those residing in the Western world, hedonism today is connected to the quantity and the speed (Virilio) of the consumption of goods, especially lifestyle goods. The time of mandatory consumption is short. Man hurriedly guzzles bought goods to do with entertainment or personal aggrandizement. Seeds and cultivation remind us of pleasure as waiting and as duration. The annual cycle of the seasons, the cyclic alternation of periods with the activities appropriate to each, plant again human beings in the earth as one among other members of global life, of the pain and pleasure therein. The hedonism of deceleration (Kundera) throws in doubt the competitive paradigm of Western society, the financial and political model of continuous development.”

21:00 Hitler-Stalin-Pakt-Menu by Matthias Rick (DE)
Exchange Radical Recipes by Raumlabor Berlin. 11 Hours, 11 cooks, 11 radical recipes as part of the Live Art Festival “Exchange Radical Moments” that was going on yesterday on 11/11/11 in in Berlin, Bitola, Chisinau, Linz, Liverpool, London, Paris, Prague, Riga, Slubfurt and Stockholm at the same time and people could follow the live stream.
“This festival is tempted to make an effective break into our daily routine. Live Art projects, which meets us in the middle of our every day life, which interrupts the usual routine and unbalances us, hold, pause. They ask us: Are we ready to engage extraordinary moments of exchange?”

by Olivier Lellouche, Olivier Lebrun & Maori Murota
“Everything pivots on a steam emitting machine, everything hinges on the energy and the beneficial powers of this rather fashionable element, or maybe, in vogue from time immemorial. The original idea is combining different activities related to the presence of steam. Eating, taking a sauna bath, making design. If the meal consists in two simple though tasty dishes proposed by the chef Maori Murota, the steam, besides representing a healthy and light way of cooking, becomes a tool to bend wood and “design” objects, as well as a source for relaxation. An efficacious and playful chance to get people together around the simplicity and the strength of an invisible but very useful element.” via Abitare

The city of Berlin gave to its inhabidants a piece of Tempelhof abandoned airport to create their own urban gardens. About 200 garden have been developed in all kinds of shapes and plants. (more…)

“Verdonck’s “negative Garden of Eden” transformed the white walls of a contemporary art gallery into an enclosed bio-dome, a glorious but poisoned ecosystem that speaks of man’s increasing interference in nature. Overgrown with non-native species, EXOTE presents itself as the canned result of manmade biological imbalance.” link

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People of various professions from around the world sent garments of all kinds to the Black Forest, where they were gathered and registered with the personal data of each participant. The clothes had been worn on the job for one full work week. A three-week internship enabled access to a wastewater treatment plant and the adoption of a blue-collar work ethic. A foothold was created within the company, understood as a subliminal system beneath public perception. Klärwerk / Waste Works tapped into the treatment plant’s point of discharge, where the freshly cleansed water ….more at the artist’s webpage.”
“Paul DeMarinis has been working as an electronic media artist since 1971 and has created numerous performance works, sound and computer installations and interactive electronic inventions. Much of his work involves speech processed and synthesized by computers, available on the Lovely Music Ltd. compact disc “Music as a Second Language”, and the Apollohuis CD “A Listener’s Companion” Major installation works include “The Edison Effect” that uses optics and computers to make new sounds by scanning ancient phonograph records with lasers, “Gray Matter” that uses the interaction of body and electricity to make music, and “The Messenger” that examines the myths of electricity in communication.”

Arabeschi di latte is a group of italian female designers that deal with culinary tradition and culture. They are researching about the notion of daily pleasures and relationships that can be created through food. Their work is participatory therefore can have the format of a workshop or dinner. (more…)

“Futurefarmers is a group of artists and designers working together since 1995. Our design studio serves as a platform to support art projects, aritist in residency program and research interests. We are teachers, researchers, designers, gardeners, scientists, engineers, illustrators, people who know how to sew, cooks and bus drivers with a common interest in creating work that challenges current social, political and economic systems.”
In the picture you see the project Rainwater Harvester/Greywater System Feedback Loop, which is a water saving system built from reused materials.

” Yowayowa camera woman” lives in Tokyo and has a “levitation diary”. Follow her blog for a levitated trip around Tokyo.
” [...] I wanted people to get no ideas as to the principles of how this could work. I wanted to accept this thing before their eyes, even if they found it strange. When something is undefined in terms of mechanism or concept, it can exist free of people’s decision to accept or reject the mechanism or concept, free of any judgment based on an individual’s experience or subjectivity.” Junya Ishigami

Installation from Jason Van der Woude in Verbeke Foundation, Kemzeke
Michael Vlasopoulos & Petros Phokaides “traverse a landscape of technologies and interrogate our drive for self-confinement,” on their essay The Domestication of the Prison, or the Demonization of the House published in Orkan Telhan ed.,Thresholds 38: future, (MIT 2010): 66-69

Apart from recipe design which is what we used to know so far, here comes recipe re-design, which is what you get when you visualize standart recipes in a more creative, graphical way. Why didn’t we do that earlier? GOOD followed this upcoming trend and organized a competition about this topic. Results are in and you can vote for your favorite one here. Click more to see a comic-like udon, an ikea-like pho bo, a data visualization-like lasagna and more.
reposted from Parfois

“future islands”
Before becoming an illustrator, Julien Pacaud was, by turns : an astrophysician, an international snooker player, a hypnotist and an esperanto teacher.
Freeganism is an anti-consumerist lifestyle whereby people employ alternative living strategies based on limited participation in the conventional economy and minimal consumption of resources.
Freegans “embrace community, generosity, social concern, freedom, cooperation, and sharing in opposition to a society based on materialism, moral apathy, competition, conformity, and greed.”[1] Freeganism involves choosing to salvage discarded, unspoiled food from supermarket dumpsters, known as ‘dumpster diving‘.
The word “freegan” is a portmanteau of “free” and “vegan“[2]; freegans are not actually vegetarian, the “egan” comes from vegans who cite ethical rather than health reasons for not eating or using animal products. Freeganism started in the mid 1960s, out of the antiglobalization and environmentalist movements. The movement also has elements of Diggers, an anarchist street theater group based in Haight-Ashbury in San Francisco in the 1960s, that gave away rescued food.[2]
from wikipedia
Moon Life proposes that 40 years after the first human being set foot on the moon, it is time for a more democratic, peaceful, artistic and cultural investigation of space. The Moon Life Handbook is an essential tool for the Moon Academy. More info: http://moon-life.org
Infographics made by Density Design, a research group in the design department of the Polytechnico di Milano.
Infographics made by Density Design, a research group in the design department of the Polytechnico di Milano.
The diagram describe the input-output flows in the production of wood-based products. From raw materials/energy/chemicals/water to waste/emissions/water. In between, the products!
“Greenwashing manual” and “Greenwasher” will be displayed in an exhibition organized by Dynamo project space in Thessaloniki, Greece. From 17/12 to 23/12.


“…the robot was a steam engine, constructed for the Schoolboys’ Exhibition at the New Horticultural Hall for 1928, perhaps under the influence of Karel Capek’s newly published drama R.U.R., which coined the term “robot”. The biological functions of humans were reinterpreted along a more user-friendly vocabulary of the steam engine, using pumps, boilers, hinges, belts, pulleys, filters, compressors and a furnace to explain the functions of respiration and circulation. It was an interesting approach to show these functions on their most basic level–and in less than 75 years, many of these mechanically represented organs were actually replaceable by real mechanical units performing the same task as the biological (as in the heart), while others could be replaced (via transplant).”
found here
The “essence of life” has fascinated people through all times. What is life, how did it arise or where did it come from? Scientifically, much research and speculation has been devoted to the question of the origin of life on Earth, whereas less attention has been focussing on the prerequisites for life and the possibilities of creating “artificial life” in the laboratory. In two ambitious, newly started, “intercontinental” projects, a European-US consortium is exploring routes that may eventually lead to non-biological artificial life.
Although we all believe that “we know what life is”, and are able to determine if an object is alive or not, a strict and rigorous scientific definition of “life” is far less straightforward. However, most scientists will agree that life must posses several key properties such as the ability to replicate, i.e. make copies of it self, and thereby multiply, as well as the ability to evolve, such that the progeny is not an exact (genetic) copy of the parent. In order to replicate and evolve an ordered structure and free energy are required. Therefore, to produce an ordered progeny from unordered components of the environment, free energy, and a flow of resource materials, are needed (in thermodynamic terms: as the entropy of the living entity is decreasing, the entropy of the environment increases and the free energy is “consumed” by the living entity).
Thus if we limit ourselves to chemical systems, as opposed to purely electronic systems (life within a computer [1]), life must consist of a genetic information bearing material and a metabolic system and these must be physically confined, e.g., in a container. Furthermore, the genetic system must be coupled to the metabolic system and/or the container, in order to establish what in contemporary life constitutes the genotype-phenotype coupling.
One of the most fundamental questions to ask is of course what are the minimum chemical and physical requirements for life. This would help us understand how life could have originated on Earth and also provide a much better basis for predicting the possibilities of discovering life elsewhere in the Universe. Furthermore, if it can be demonstrated that new life forms can be based on “non-biological” chemistry, i.e., life forms which are orthogonal to the biological life we know from Earth, this would profoundly change our view of Life biologically as well as philosophically.
Chemists have within recent years attempted to develop self-replicating “living” systems based on liposome contained catalytic RNA [2], as a model for the origin of the RNA world. Such a system would not be conceptually or chemically different from contemporary life, and could be seen as a predecessor of this. However, self-replicating chemical systems has been demonstrated based on small oligonucleotides [3], or peptides [4] or even simple non-biological organic compounds [5]. Such systems could in principle lay the foundation for “non-biological life”.
“genious loci” 1984 – andrey labazov, andrey savin, andrey shishkow + THE FOUR ELEMENTS