Valentina Karga

DO

the institute of placemaking

2012-05-12

Recently, together with Jia Gu and Pieterjan Grandry we founded “The Institute Of Placemaking”, which is also a wining entry at Eme3 festival of Architecture. This means we will built it! 28 of June – 1 of July in Barcelona, be there!

The Institute of Placemaking is knowledge exchange center and a public institution that gives spatial possibilities to people who desire a place for new ideas and new encounters within the city.

An office-cabin and a table are the simple architectural elements around which workshops, dinners and collective gatherings happen. The Institute acts as an infrastructure that ‘grows’ through a series of curated workshops dealing with public action, knowledge exchange and experimentation with do-it-yourself methods of production, which extends to building, making, cooking, using and re-using. Workshops are focused around the looped system of resources, and particular attention is paid to what is commonly neglected in the production cycle of materials or goods: waste. The Institute proposes a 6 workshops that begin to treat the city and its byproducts as a resource.

Over time, individuals and organizations in the neighborhood can plug into this structure, and begin to propose their own spatial interventions or knowledge exchanges. Dinners and artist-led bars will play a catalytic role to the getting to know the neighbors and facilitating new encounters..

The Institute proposes a four-day series of workshops and events during the festival:

 

DAY 01           Build Your Own Solar Cooker

Do-It-Yourself Marmelade Workshop

DAY 02           Soap Opera: Making Soap from Scratch

Solar Cooker Tester + Taste Test

DAY 03           Recycled Furniture Workshop

DAY 04           Big Lunch

ONGOING       Exhibition in the Institute

Artist-led Bar

 

The Institute of Placemaking is about creating new places from abandoned spaces through knowledge exchange and collective actions in the city. For Eme3, we propose re-using the city as a resource, whose products, people and places are all part of a larger cycle of production.

Our workshops and activities operate on the premise of re-use happening at two scales. First, through a series of workshops focused on the production cycle of things and the continuity of systems. The products of each workshop accumulate into a final lunch with the community and festival participants. Leftover groceries from local markets will be cooked in the solar cookers, DIY marmelade will be served with dessert, self-made soap is used to wash the dishes and recycled furniture makes the setting. Eventually all food-waste will end up in a compost bin that can be the start of a community garden hosted at the Institute. Secondly, re-use happens within the entire installation, which will be open for plug-in programs and  appropriation by the community.

This once empty lot is transformed into collective space that is shared and actively used by local citizens, visitors and festival participants, beginning to offer to local citizens a sense of place.

 

supper studio

2012-03-07

Supper Studio, a series of dinners, relaxed presentations and discussions around the table between guests and students from the architecture department of UCLA is initiated by Jia Gu. I was very happy to help set up the first event of the series and give a presentation.

On the Menu:

Mushroom and spinage dumplings

Leek and tofu dumplings

Pork and green onion dumplings

Fresh Salad

Wine and Ice cream with strawberry sauce

(more…)

Art in Use

2012-01-22

Valentina Karga invites the artist duo Ooze & Marjetica Potrc to present their common projects which features bottom-up approaches for water infrastructure projects in different cities together with the inhabitants.
Lecturer:
Marjetica Potrc
Ooze (Eva Pfannes & Sylvain Hartenberg)
Moderator:
Matthias Rick
When: Monday, 23-01-2012, 19:00 H
Where: »Kosmetiksalon Babette« – Karl-Marx-Allee 36, 10178 Berlin
A series of events organized by Graduiertenschule für die Künsteund die Wissenschaf ten der Universität der Künste Berlin

Eme3_2011 catalog

2012-01-04
Last summer I participated at Eme3, an international architecture festival in Barcelona. The topic was Work in progress: Global problems Local solutions.

Grad offen 14.12.11

2011-12-24

A small exhibition at the UDK to show work in progress from the Graduate School. You can see the automatic fish feeder, an explanatory animation of the whole installation, Berlin Farm Lab and the miniponics.

Lecture @ Greesis; Trigger

2011-12-11

Lecture with title:  Mechanisms (on) Experience: the Berlin Farm Lab experiment @University of Thessally Department of Architecture.

(more…)

grad offen

2011-11-30

Invitation to an open studio day with all the fellows from the Graduate school including myself. 14/12, 17:00 Hardenbergstrasse 33,Univesrity of Arts,  Berlin, room 101

machine for sustainable living and greenwasher, sustainable active chamber

2011-06-02

// This is an interactive representation of the project, you can zoom and drag or pan your way around it.//

The project “Greenwasher, active sustainable chamber” is a research on a DIY contemporary lifestyle.   The first part is a manual of “how to make yourself” a complete system to produce at home all goods for contemporary living, such as electricity, biogas, food and biodiesel while collecting heat from the sun and rainwater. The following characteristics make the system the perfect solution for global sustainability: low-budget for broad application, local production and reuse of materials and therefore less energy required in the process, biologic food production and green energy production. The second part is an application of the manual in a one person’s habitat. The aim is to minimize use of natural resources and co2 emissions during the building and living process. The idea for creating the manual began with the collection of systems aimed at an ecologically bearable conscious contemporary lifestyle. Next step was the restriction of the system to “do it yourself” version. For this reason we studied «how to» and «Do It yourself» youtube videos and websites that offer such expertise to ease of manufacture and low cost.  Adaptations were made in the way of building the systems with emphasis on the implementation of used items. Changes or adjustments of the use of objects are possible. Finally, we combined all segments in a single system in a “nothing is wasted” concept. Special feature is the excessive economy. In other case would be characterized meanness. With neurotic patience, the user utilizes the water through a hierarchy system of value, until that evaporates. Moreover, by simple chemical processes, produces useful goods from useless garbage, while producing no waste, since he re-uses everything. One could describe the model as a concentrated version of the complexity of gathering the goods of modern life. As regard the aesthetic issue, we can talk about a new species of architecture that is free of the question about form; the appearance is simply what derives from the collection and assemblage of existing systems and elements. The project seems to be the perfect sustainable solution on building and living. However, the personal motivation, time and effort required, opens the discussion about changes that could be done in the society, political and economic system to make this lifestyle possible for everyone. (more…)

soft shells

2011-04-27

Graphic design for Sophia Vyzoviti‘s new book, Soft Shells. In collaboration with Pieterjan Grandry.

emergency ecopark / uia-ares competition

2011-01-11

(more…)

small catastrophe enchiridion

2010-11-19

Real time and representation time

The initial intention of the research was the creation of an archive/ catalog about fire. Archives are evolvable and can possibly refresh themselves persistently. Thus, the archive´s concept can possibly be redefined.

This should have happened, in a manner of speaking, simultaneously with some representation of the same process, the one we call file-lodgment. The lodgment’s order is not the same with the chronic order that the files had emerged at the time of investigation. Besides, representation does not happen in autonomic real time, but invokes observer’s time. Thus, the distortion of the chronic relations facilitates some kind of “distortion” of the accuracy of the file lodgment procedure. In addition, this is not that important. What is important is the transmission of some, not-that-clear yet, sensation that fire and architecture are related to each other. Finally, the selection and lodgment of the “fire fragments” request to reveal some abstract relation to architecture.

(more…)

washing machine-like house

2010-11-18

life in the microprocessor

2010-11-17

Reusing a PCB.

jobs and internships

2010-11-17

 

Production of the catalog for the show Weak Monuments, a “Buit Event” by Aristide Antonas, Alexios Dallas andFilippos Oreopoulos, for the biennale of Thessaloniki 2009. Read and see more from Aristide Antonas.

(more…)

schoolbuilding

2010-11-17

(more…)

shape 04

2010-11-17

(more…)

pleat pavillion

2010-11-16

(more…)

thermal baths

2010-11-16

(more…)

mom’s compact home

2010-11-16

(more…)

easa shelter prototype

2010-11-16

(more…)

the game

2010-11-16

(more…)

revolving backpack

2010-11-16

(more…)

transframing

2010-11-09

TRANSFRAMING workshop, an introducion to rhino and digital manufacturing, with Asterios Agathidis and Sophia Vyzoviti.

transplant systems: self generating urbanism through built and landscape inputs

2010-11-09

(more…)

voronoi graphics

2010-11-09


Data visualization graphics for the statistics of designing absence using NODEBOX 2. Each country is represented with a “planet”. The density of each “planet” is generated by popularity.

connected moulds

2010-11-09


“Connected moulds” is a habitation concept.

There is a clear split of the three main functions of a house (sleeping, eating and bathing) into levels. Each function has its own level. There is one nested small space and a ramp as an introduction to the house. Using curves as design tool and softness as a material choice aiming to achieve comfort, someone is able to sit down, lay or sleep everywhere. There is luck of privacy. This house is an open, common space for its users. There is only an extra option for the perpendicular shape in the last level to become private using sliding closing panels, just in cases that someone really needs some hours of privacy.Each function is a closed shape. This shape has been extruded in order to become three-dimensional space. Between these moulds that came up there is a vertical connection so the three different moulds are assembled in one system and the one space flows inside the other.